| 31.12.14 |
Pearls from artists* # 124 |
| 27.12.14 |
Q: What’s on the easel today? |
| 24.12.14 |
Pearls from artists* # 123 |
| 20.12.14 |
Q: In the “Black Paintings” you create a deep intellectual interaction and communicate a wide variety of states of mind. I admit that certain “Black Paintings” unsettle me a bit. I see in this series an effective mix between anguish and happiness. Rather than simply describing something, these paintings pose a question and force us to contemplation. Can you talk about this aspect of your work? |
| 17.12.14 |
Pearls from artists* # 122 |
| 13.12.14 |
Q: What’s on the easel today? |
| 10.12.14 |
Pearls from artists* # 121 |
| 6.12.14 |
Q: Another interesting series of yours that has impressed me is your recent “Black Paintings.” The pieces in this series are darker than the ones in “Domestic Threats.” You create an effective mix between the dark background and the few bright tones, which establish such a synergy rather than a contrast, and all the dark creates a prelude to light. It seems to reveal such a struggle, a deep tension, and intense emotions. Any comments on your choice of palette and how it has changed over time? |
| 3.12.14 |
Pearls from artists* # 120 |
| 29.11.14 |
Q: I’m convinced that some information and ideas are hidden, or even encrypted in the environment we live in, so we need a way to decipher them. Maybe one of the roles of an artist is to reveal unexpected sides of Nature, especially of our inner Nature. What’s your opinion about this? |
| 26.11.14 |
Pearls from artists* # 119 |
