| 26.12.20 |
Q: What do you enjoy the least about being an artist? |
| 28.09.19 |
Q: I especially enjoy your “Black Paintings” series. You mention being influenced by the story of how Miles Davis developed cool jazz, making this work uniquely American all around. How did you use jazz history in this series? |
| 25.09.19 |
Pearls from artists* # 371 |
| 19.06.19 |
Pearls from artists* # 357 |
| 6.01.18 |
Q: What has been your scariest experience as an artist? |
| 29.06.16 |
Pearls from artists* # 202 |
| 14.10.15 |
Pearls from artists* # 165 |
| 2.09.15 |
Pearls from artists* # 159 |
| 15.07.15 |
Pearls from artists* # 152 |
| 20.12.14 |
Q: In the “Black Paintings” you create a deep intellectual interaction and communicate a wide variety of states of mind. I admit that certain “Black Paintings” unsettle me a bit. I see in this series an effective mix between anguish and happiness. Rather than simply describing something, these paintings pose a question and force us to contemplation. Can you talk about this aspect of your work? |
| 6.12.14 |
Q: Another interesting series of yours that has impressed me is your recent “Black Paintings.” The pieces in this series are darker than the ones in “Domestic Threats.” You create an effective mix between the dark background and the few bright tones, which establish such a synergy rather than a contrast, and all the dark creates a prelude to light. It seems to reveal such a struggle, a deep tension, and intense emotions. Any comments on your choice of palette and how it has changed over time? |
