||Pearls from artists* # 436
||Pearls from artists* # 193
||Q: Would you talk about your use of Mexican and Guatemalan folk art as a convenient way to study formal properties such as color, shape, pattern, composition, etc. in your pastel paintings?
||Q: You took classes at The Art League School in Alexandria, VA in the late eighties studying intensely with Lisa Semerad and Diane Tesler. How have these experiences impacted on the way you currently produce your artworks? By the way, I sometimes wonder if a certain kind of formal training in artistic disciplines could even stifle a young artist’s creativity. What do you think?
||Q: How do you begin a photograph?
||Pearls from artists* # 62