| 15.04.23 |
Q: It must be tricky moving pastel paintings from your New York studio to your framer in Virginia. Can you explain what’s involved? (Question from Ni Zhu via Instagram) |
| 20.07.22 |
Pearls from artists* # 516 |
| 5.03.16 |
Q: Besides your art materials is there something you couldn’t live without in your studio? |
| 26.12.15 |
Q: What time of day do you find best for working? |
| 3.01.15 |
Q: How important is the feedback of your audience? Do you ever think about who will enjoy your Art when you conceive it? |
| 17.12.14 |
Pearls from artists* # 122 |
| 6.12.14 |
Q: Another interesting series of yours that has impressed me is your recent “Black Paintings.” The pieces in this series are darker than the ones in “Domestic Threats.” You create an effective mix between the dark background and the few bright tones, which establish such a synergy rather than a contrast, and all the dark creates a prelude to light. It seems to reveal such a struggle, a deep tension, and intense emotions. Any comments on your choice of palette and how it has changed over time? |
| 5.11.14 |
Pearls from artists* # 116 |
| 10.09.14 |
Pearls from artists* # 108 |
| 9.08.14 |
Q: You have been a working artist for nearly thirty years. Considering your entire body of work, is there any particular painting that you love or hate? |
| 9.07.14 |
Pearls from artists* # 99 |
