| 8.07.23 |
Q: Many of the world’s cultures have a mask tradition. Is there something special about Bolivian masks that first attracted you to them? |
| 15.04.23 |
Q: It must be tricky moving pastel paintings from your New York studio to your framer in Virginia. Can you explain what’s involved? (Question from Ni Zhu via Instagram) |
| 5.11.22 |
Q: There are so many instances in the art world where paintings are discovered to be fakes. Do you think this is a potential problem where your work is concerned? Can your pastel paintings be forged? |
| 1.10.22 |
Q: How do you account for your intense compositions? (Question from Robin Plati via Facebook) |
| 26.03.22 |
Start/Finish of ”Impresario,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed |
| 19.06.21 |
Q: How do you work and approach your subject? (Question from “Arts Illustrated”) |
| 26.10.19 |
Q: Why do you make art? |
| 12.01.19 |
Q: Do you plan your work in advance or is it improvisation? |
| 22.12.18 |
Q: Would you speak about the meaning of your work and the different materials you use? |
| 27.10.18 |
Start/Finish of “Acolytes,” soft pastel on sandpaper, 38” x 58” |
| 6.10.18 |
What’s on the easel today? |
