||Pearls from artists* # 138
||Pearls from artists* # 54
||Pearls from artists* # 52
||Q: Why do you need to use a photograph as a reference source to make a pastel painting?
||Q: To be a professional visual artist is to have two full-time jobs because an artist must continually balance the creative and the business sides of things. How do you manage to be so productive?
||Q: Your “Gods and Monsters” series consists of tableaux of Mexican and Guatemalan figures that are photographed in a way that blurs certain elements to abstraction while others are in clear focus. Can you please speak more about this work?
||Pearls from artists* # 30
||Q: Can you speak in more detail about how losing your husband, Dr. Bryan C. Jack, on 9/11 affected your artistic practice?
||Q: Your relationship with photography has changed considerably over the years. How did you make use of photography in your first series of pastel-on-sandpaper paintings, “Domestic Threats”?
||Pearls from artists* # 26