Pearls from artists* # 465

Julho 28, 2021
“Raconteur,” soft pastel on sandpaper, 58” x 38,” signed lower left

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

In his 1970 Nobel Prize lecture, Aleksander Solzhenitsyn proposed that if art has never been revealed its intrinsic “function” to us, it is because such a thing is beyond our ken. For the Russian writer, we are mistaken when we call art a human innovation; we ought instead to see it as a gift, something that came to us from beyond the bounds of our world. Solzhenitsyn illustrates his point by comparing the work of art to the technological marvel that a man from the proverbial Stone Age comes across in the wilderness. Unable to penetrate its secrets, the man can only turn the object this way and that, looking for “some arbitrary use to which he can put it, without suspecting an extraordinary one.” Solzhenitsyn goes on:

So also we, holding art in our hands, confidently consider ourselves to be its masters, boldly we direct it, reform and manifest it; we sell it for money, use it to please those in power; turn to it at one moment for amusement… and at another… for the passing needs of politics and for narrow-minded social ends. But art is not defiled by our efforts, neither does it thereby depart from its true nature, but on each occasion and in each application it gives us a part of its secret inner light.”

JF Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action

Comments are welcome!

Q: What’s on the easel today?

Julho 24, 2021
Work in progress

A: I’m continuing to work on a large (58” x 38”) pastel painting. I haven’t decided on an exact title yet, but it will be either “Impresario” or “Lost Cause.” The latter is the name of a new Billie Eilish song.

Comments are welcome!

Pearls from artists* # 464

Julho 21, 2021
Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Only through art can human beings express and share the archetypal powers that shape the universe.

To abandon art would mean forfeiting the gift of vision, which, by all appearances, was given to humans alone.

To reclaim it might enable us to recover our faith in this world, and act in accordance with that faith for the benefit of life on earth.

JF Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action

Comments are welcome!

(My blog turned 9 years old on July 15! As I have done for past anniversaries, I am republishing the very first post from July 15, 2012.) Q: What does it take to be an artist, especially one living and working in New York?

Julho 17, 2021

Barbara's Studio (in 2012) with works in progress

Barbara’s Studio (in 2012) with works in progress.

A:  The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our the ime on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

__________

What I wrote nine years ago still rings true – and it’s good, even for me, to be reminded.  Since then my studio setup has changed tremendously.

Most importantly, THANK YOU to my 75,000+ subscribers for taking this journey with me!

Comments are welcome!     

Pearls from artists* # 463

Julho 14, 2021
“Raconteur” (detail), soft pastel on sandpaper, 58” x 38”

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

When in doubt, when you are lost, don’t stop. Instead, concentrate on detail. Look around, find a detail to concentrate on and do that. Forget the big picture for a while. Just put your energy into the details of what is already there. The big picture will eventually open up and reveal itself if you can stay out of the way for a while. It won’t open up if you stop. You have to stay involved but you don’t always have to stay involved with the big picture.

While paying attention to the details and welcoming insecurity, while walking the tightrope between control and chaos and using accidents, while allowing yourself to go off balance and going through the back door, while creating the circumstances in which something might happen and being ready for the leap, while not hiding and being ready to stop doing homework, something is bound to happen. And it will probably be appropriately embarrassing.

Anne Bogart in A Director Prepares: Seven Essays on Art and Theatre

Comments are welcome!

Q: How do you see art as a way to document the history and the customs and cultures of people? (Question from “Arte Realizzata”)

Julho 10, 2021
Tiwanaku, Bolivia
Tiwanaku, Bolivia

A: Certainly, art from the past gives us clues about life in the past, but I believe it does more.  It reveals our shared humanity.

In one of my favorite books, Reclaiming Art in the Age of Artifice: A treatise, Critique, and Call to Action, JF Martel states that “… what the Modern west calls art is the direct result of a basic human drive, an inborn expressivity that is inextricably bound with creative imagination. It is less the product of culture than a process manifesting through the cultural sphere.  One could go so far as to argue that art must exist in order for culture to emerge in the first place.” 

The art that is left to us through history gives a glimpse of our shared humanity across time and across cultures.  We get to see a forgotten part of ourselves, something reaching deeper into what it means to be human.  

Comments are welcome!       

Pearls from artists* # 462

Julho 7, 2021
With our documentary film crew

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It seems contradictory to call an artist both shy and conceited, introverted and extraverted, empathic and self-centered, highly independent and hungry for community – until we realize that all of these qualities can be dynamically present in one and the same person.

Indeed, this dynamism regularly perplexes and buffets the artist. He may begin to consider himself crazy for longing to perform even though public performance frightens him, or neurotic for feeling competent at the piano but incompetent in the world. He may come to possess the vain hope that he can live quietly, like other people, his personality statically integrated in some fashion, and then feel like a failure when the contradictory forces at play in him prevent him from feeling relaxed even for a minute. Once he realizes, however, that this puzzling contradiction is his personality, he is better able to accept himslef and to understand his motives and actions.

Eric Maisel in “A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists”

Comments are welcome!

Travel photo of the month*

Julho 3, 2021
Hillwood Estate, Washington, DC

*Favorite travel photos that have not yet appeared in this blog

For more info on Hillwood Estate, Museum, and Gardens, please see https://www.hillwoodmuseum.org/

Comments are welcome!

Pearls from artists* # 461

Junho 30, 2021
Whitney Museum of American Art

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I must not eat much in the evening, and I must work alone. I think that going into society from time to time, or just going out and seeing people, does not do much harm to one’s work and spiritual progress, in spite of what many so-called artists say to the contrary. Associating with people of that kind is far more dangerous; their conversation is always commonplace. I must go back to being alone. Moreover, I must try to live austerely, as Plato did. How can one keep one’s enthusiasm concentrated on a subject when one is always at the mercy of other people and in constant need of their society? Dufresne was perfectly right; the things we experience for ourselves when we are alone are much stronger and much fresher. However pleasant it may be to communicate one’s emotion to a friend there are too many fine shades of feeling to be explained, and although each probably perceives them, he does so in his own way and thus the impression is weakened for both. Since Dufresne has advised me to go to Italy alone, and to live alone once I am settled there, and since I, myself, see the need for it, why not begin now to become accustomed to the life; all the reforms I desire will spring from that? My memory will return, and so will my presence of mind, and my sense of order.

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!

Q: What’s on the easel today?

Junho 26, 2021

In progress

A: I continue slowly working on an untitled 58” x 38” pastel-on-sandpaper painting that is part of the acclaimed “Bolivianos” series.

Comments are welcome!

Pearls from artists* # 460

Junho 23, 2021
Recent pastel paintings in progress

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Precious realm of painting! That silent power that speaks at first only to the eyes and then seizes and captivates every faculty of the soul! Here is your real spirit; here is your own true beauty, beautiful painting, so much insulted, so much misunderstood and delivered up to fools who exploit you. But there are still hearts ready to welcome you devoutly, souls who will no more be satisfied with mere phrases than with inventions and clever artifices. You have only to be seen in your masculine and simple vigor to give pleasure that is pure and absolute. I confess that I have worked logically, I, who have no love for logical painting. I see now that my turbulent mind needs activity, that it must break out and try a hundred different ways before reaching the goal towards which I am always straining. There is an old leaven working in me, some black depth that must be appeased. Unless I am writhing like a serpent in the coils of a pythoness I am cold. I must recognize this and accept it, and to do so is the greatest happiness. Everything good that I have ever done has come about in this way. No more ‘Don Quixotes’ and such unworthy things!

The Journal of Eugene Delacroix edited by Hubert Wellington

Comments are welcome!

    Please wait...