| 25.09.19 |
Pearls from artists* # 371 |
| 3.10.18 |
Pearls from artists* # 320 |
| 4.10.17 |
Pearls from artists* # 268 |
| 30.05.15 |
Q: Why don’t you teach or conduct pastel workshops? |
| 7.03.15 |
Q: Do you have a daily artistic practice? |
| 25.10.14 |
Q: You took classes at The Art League School in Alexandria, VA in the late eighties studying intensely with Lisa Semerad and Diane Tesler. How have these experiences impacted on the way you currently produce your artworks? By the way, I sometimes wonder if a certain kind of formal training in artistic disciplines could even stifle a young artist’s creativity. What do you think? |
| 24.05.14 |
Q: Why do people need art in their daily lives? |
| 18.09.13 |
Pearls from artists* # 58 |
| 22.05.13 |
Pearls from artists* # 41 |
| 4.05.13 |
Q: To be a professional visual artist is to have two full-time jobs because an artist must continually balance the creative and the business sides of things. How do you manage to be so productive? |
| 16.03.13 |
Q: Your “Gods and Monsters” series consists of tableaux of Mexican and Guatemalan figures that are photographed in a way that blurs certain elements to abstraction while others are in clear focus. Can you please speak more about this work? |
