| 3.04.19 |
Pearls from artists* # 346 |
| 8.07.15 |
Pearls from artists* # 151 |
| 6.06.15 |
Q: Would you talk about your use of Mexican and Guatemalan folk art as a convenient way to study formal properties such as color, shape, pattern, composition, etc. in your pastel paintings? |
| 27.05.15 |
Pearls from artists* # 145 |
| 13.05.15 |
Pearls from artists* # 143 |
| 29.04.15 |
Pearls from artists* # 141 |
| 28.03.15 |
Q: Why do you call the small paintings in your “Domestic Threats” series, “Scenes?” |
| 25.02.15 |
Pearls from artists* # 132 |
| 24.12.14 |
Pearls from artists* # 123 |
| 20.12.14 |
Q: In the “Black Paintings” you create a deep intellectual interaction and communicate a wide variety of states of mind. I admit that certain “Black Paintings” unsettle me a bit. I see in this series an effective mix between anguish and happiness. Rather than simply describing something, these paintings pose a question and force us to contemplation. Can you talk about this aspect of your work? |
| 1.11.14 |
Q: Can you talk a little bit about your process? What happens before you even begin a pastel painting? |
