| 22.07.15 |
Pearls from artists* # 153 |
| 15.07.15 |
Pearls from artists* # 152 |
| 27.06.15 |
Q: Were there any other artists in your family? |
| 9.05.15 |
Q: Is it possible to sum up your creative practice in seven words? |
| 18.04.15 |
Q: Why do you prefer not to explain your titles and imagery? |
| 15.04.15 |
Pearls from artists* # 139 |
| 28.02.15 |
Q: You often speak about the Mexican and Guatemalan figures in your paintings as serving a function analogous to actors in a repertory company. In other words, a particular figure plays a different role each time it appears in one of your pastel paintings. Would you choose a figure and show how you have painted it through the years? |
| 20.12.14 |
Q: In the “Black Paintings” you create a deep intellectual interaction and communicate a wide variety of states of mind. I admit that certain “Black Paintings” unsettle me a bit. I see in this series an effective mix between anguish and happiness. Rather than simply describing something, these paintings pose a question and force us to contemplation. Can you talk about this aspect of your work? |
| 22.06.13 |
Q: How do you decide on the titles for your pastel paintings? |
| 11.05.13 |
Q: What is it about soft pastel that you find so intriguing that you use it as your primary fine art medium? |
